Jumat, 29 November 2013

Ebook Cinema 4D Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist (Apprentice Series)

Ebook Cinema 4D Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist (Apprentice Series)

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Cinema 4D Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist (Apprentice Series)

Cinema 4D Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist (Apprentice Series)


Cinema 4D Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist (Apprentice Series)


Ebook Cinema 4D Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist (Apprentice Series)

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Cinema 4D Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist (Apprentice Series)

Review

“If you’re an aspiring 3D motion graphics artist, Cinema 4D Apprentice should be your first resource to get started. Kent does an incredibly thorough job of covering the essentials in a clear and concise manner. Inside this book is the knowledge motion designers need to succeed in a production environment.”-Paul Babb, President/CEO at MAXON Computer, Inc. “CINEMA 4D Apprentice gets you up and running quickly. Having a resource that is easy to reference is important when tackling a program that has the breadth and scope of MAXON CINEMA 4D’s R16. Kent McQuilkin does an excellent job of keeping you on track with enough to help you find your footing as you begin to design and animate in 3D.” -Ko Maruyama, CreativeMac "This book is a very comprehensive teaching aid for any 3D Motion Graphics Artist about to use, or is struggling with, the Maxon Cinema 4D combined with Adobe After Effects software packages... I don't earn my living as a Graphics Artist - but the book explains each step so clearly and I was so thoroughly intrigued that I couldn't put it down, flicking back and forth to check explanations in previous lessons which I'd skipped over but really needed to understand - I was thoroughly hooked! Definitely a 'must-have' for everyone who works in this area of production." - Wendy Laybourn FBKS - Network Nine

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About the Author

Kent McQuilkin is an award-winning animation producer, college instructor, 3D designer and consultant for broadcast studios. Kent has been a user of CINEMA 4D for over a decade and has used it to produce films, television spots, product labels, product previsualizations as well as theme park and holographic theatrical productions. Much of his work and information can be found at www.mcq3d.com.

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Product details

Series: Apprentice Series

Paperback: 422 pages

Publisher: Routledge; 1 edition (May 9, 2015)

Language: English

ISBN-10: 9781138018624

ISBN-13: 978-1138018624

ASIN: 1138018627

Product Dimensions:

8.5 x 1 x 9 inches

Shipping Weight: 2.6 pounds (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#199,227 in Books (See Top 100 in Books)

Alas, this book was shipped before the editor finished their job. There are some good points as the author covers some important features of Cinema 4D, but the editing is sloppy, the screen shots too small to read and the examples very often are missing a critical step or two.There is a crying need for good Cinema 4D training materials but sadly this one doesn't step up to the plate.Solution?1. Proof read the material before printing2. User testing to make sure the examples work3. Bigger screen shots that are readable4. Don't assume that the reader knows where to find things5. Don't be in a hurry

This is probably the harshest review I've ever left, which is a shame. I've just bumped into the world of C4d, and for me these traditional print books that start you at square one and work you through the basic tools and exercises to get familiar with the interface and workflow have always been great. I of course hop around on tutorials online for various things, but the hard reality for me and probably many others is that a program this complex really takes walking through the basic building blocks of the software. I've had great success using this type of literature for most adobe software. This is my first foray into a 3d program, so this seemed like a logical first step.Now, I'm a graphic designer, so some of the comments here might seem extreme to you but I can assure you they aren't. The number one reason a book like this exists is to provide us with clear, concise, well documented and clearly presented information that lets us comfortably follow through tutorials that while difficult have been expertly prepared for us. That is why I paid over $50 for this book.First impression, the book is larger than most I've seen of this type and the pages are filled with dense text as opposed to visual examples. Bottom line, the author's writing style is verbose and sort of like telling you a story. While this could be nice in some settings, it's terrible here. The pre-roll section of the book is rushed in terms of helpful explanation, and could have spared us pages of content through intelligent layout choices. Rather than giving us a story like explanation of tools, bouncing from one tool to the next within the same paragraph, bullet points with image illustrations in a strictly followed regiment of tool-by-tool information would be greatly beneficial and preferable. This kind of book doesn't need to read like a technical manual dry from top to bottom, I like a nice instructor voicing, but we lost our way on this one.Also, one the online companion site, the entire preroll section is missing as a folder. Basically, if you were interested in following the example as stated on the last line of page 21, "Check out this sign in the Pre-Roll assets folder. It is named align_to_spline.c4d" you're out of luck, because they don't seem to exist. Also, generally speaking, video companions to books would be much more accurate and useful if they presented you with either the same materials you are working on at that time in the book, or something very similar requiring a subtle but user-initiated leap towards applying the learned principles in a slightly new fashion from what they are learning in the book. Still, we really just want to follow the example we are reading to get a better grasp for how these things should be looking, working, etc.The images are atrociously small. Whoever laid out this book is a maniac. I'm not pushing 90 with bifocals here, either. This type of resource needs large images with intelligent use of focus to let users known exactly where we should be looking on the interface you have screenshot for us. Rather than hoping we will find the right place in your tiny, 2 inch image covered in cm sized selection boxes, perhaps give us a hint? Use shadowing, or colored selections. Really just terrible here.The first project chapter starts to at least warm us with better guidance, but I ran into the same sloppy writing and poor direction (the sole reason for this book to exist is for exceptional direction.) in the first examples. The author expects us to be able to follow along with him as if we were watching his overhead projector move the mouse for us, and we would do the same alongside him. This is simply not the case, and there needs to really be an exacting didactic accounting of where we are going, what clicks it takes to get there, all the basics of a good written/visual instructional dialog. For instance, the first assignment is a teacup project. Early on, I ran across this gem."to see how this shape is going to progress, switch to Model mode and with the cube selected (wait... what is Model mode with a capital M again? where should I be clicking? We are novices.) add a subdivision surface to the scene."No example of where these tools are, just the expectation that the user now intimately knows the interface and recalls where a subdivision surface lives in the UI. Now, I like having to learn it a bit and thus know it better by having found it myself, but this is a pretty poor approach to writing a tutorial. The next stage of this tutorial has use scaling down a piece of a shape that has been inner-extruded to change the shape of a cube into a tapered cup shape, big at the top, small at the bottom. In the images accompanying the book, the rounded cup shape magically becomes a beautiful taper at the bottom. However, it was only by inspecting his images closely and googling did I realize that he had in fact switched tools to select only the points, not the planes of the shape. Also, he had used what appears to be another tool entirely ,and never before mentioned, the lathe tool, to add a cut shearing clear through the bottom of the cup in order to accomplish a squared bottom as opposed to a rounded one similar to a hanging water balloon. How on earth could this kind of thing be acceptable in a tutorial book?Does anyone even really care if we are learning the basics or did the publishers and author pretty much throw up their hands and say "ah, well there's not much money left in these these days anyway, everybody just uses free online tutorials."Yeah, no kidding! At least we can follow along!Before we really have any idea what we are doing or what this means, he throws in, "In our case, we want a cup that is more squared or we would just build this using a spline and lathe NURBS combination." Wait... so there was a lathe in here? Is that what you screenshot for us on this tea cup taper? Where am I? Where's the light switch? I don't know my name.It's great to throw in that comment so people who know what they are doing can nod and go, "Oh yeah of course we would do that and use the spline and lathe NURBS, but this is for a tutorial for people who don't know anything." But THOSE PEOPLE DON'T NEED YOUR BOOK so why am I reading it on the 4th page of the first tutorial I've ever seen from you?All in all, just really poorly planned and poorly executed. Seems as though it was culled from class notes and presentations and while it's nice to have a book like this for this software, frankly paying somewhere else to learn this stuff, maybe GreyScaleGorilla or something, would probably be much more efficient.I may update this review once I get through the entire book. I'm sure that comment could cause so tsk tsk, but I've done plenty of these types of books and ouch... this one is a doozy. I can get through it, but it could do with some intelligent design, editing, and layout choices. Also, the entire ethos behind putting a book like this out could use some polish. If you're going to put it out, put it out right.

Great book which can always be used for reference. This Is an informative as well as practical skill building data base. You will definitely use it constantly.

very informative and well written. the graphics are good too. free link given for downloadable files. great find.

Required textbook, I think its been an excellent aid

I was sorely disappointed by this Focal book. The index was anemic, there were grammatical and typographical errors. The parts of the book I read were helpful.

Really helpful for begginers. The book includes all you need to know to get started with CG and C4D and gives clear examples and guidelines to make it easier to understand. It has well-written instructions that are clear and that teach you the theory and technique instead of teaching just how to do some specific things.It is a great resource for begginers like me. I trully recommend it.

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Cinema 4D Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist (Apprentice Series) PDF

Cinema 4D Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist (Apprentice Series) PDF
Cinema 4D Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist (Apprentice Series) PDF

Rabu, 20 November 2013

Free PDF Disney Masters Vol. 7: Paul Murry: Walt Disney's Mickey Mouse: The Pirates Of Tabasco Bay (Vol. 7) (The Disney Masters Collection)

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Disney Masters Vol. 7: Paul Murry: Walt Disney's Mickey Mouse: The Pirates Of Tabasco Bay (Vol. 7) (The Disney Masters Collection)

Disney Masters Vol. 7: Paul Murry: Walt Disney's Mickey Mouse: The Pirates Of Tabasco Bay (Vol. 7) (The Disney Masters Collection)


Disney Masters Vol. 7: Paul Murry: Walt Disney's Mickey Mouse: The Pirates Of Tabasco Bay (Vol. 7) (The Disney Masters Collection)


Free PDF Disney Masters Vol. 7: Paul Murry: Walt Disney's Mickey Mouse: The Pirates Of Tabasco Bay (Vol. 7) (The Disney Masters Collection)

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Disney Masters Vol. 7: Paul Murry: Walt Disney's Mickey Mouse: The Pirates Of Tabasco Bay (Vol. 7) (The Disney Masters Collection)

About the Author

Paul Murry (1911–1989) was a Disney comic book artist who most notably worked on the Mickey Mouse serials of the 1950s, '60s, and '70s for Dell Publishing and Gold Key Comics. Previously, he worked as an assistant at Walt Disney Animation Studios, where he contributed to projects such as Pinocchio and Dumbo, among others. He also made a name for himself as a gag cartoonist and illustrated a number of Woody Woodpecker comic books.Carl Fallberg wrote and drew for Disney (Snow White, Fantasia), Hanna-Barbera (Scooby Doo), and Warner Brothers (Yosemite Sam) animation studios, and on many comic book adaptation of animated shows, for more than forty years.

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Product details

Series: The Disney Masters Collection (Book 7)

Hardcover: 184 pages

Publisher: Fantagraphics; 1 edition (March 12, 2019)

Language: English

ISBN-10: 1683961811

ISBN-13: 978-1683961819

Product Dimensions:

7.9 x 0.8 x 10.6 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#162,985 in Books (See Top 100 in Books)

If you purchased volume one of these Murry/Fallberg tales and plan on buying volume two I've got great news for you: the stories here are even more exciting than those in volume one (#3 in the Disney Masters series)! The quality of the reproductions is just as perfect but Fallberg greatly improved the quality of his writing (Murry's artwork remains top-notch but I feel that he too was beginning to enjoy the stories more and was devoting more time and effort to creating background detail and atmosphere). “The Lost City”, “The Marvelous Magnet”, “The Vanishing Railroad” and “Yesterday Ranch” are fun, exciting stories. Some may not know that while these serials were appearing in WDC&S Fallberg and Murry would occasionally create new, long stories to be featured in Mickey Mouse magazine. These stories are every bit as exciting as the serials that are being printed here. Will Fantagraphics ever get around to printing them? I don't know, but I certainly hope so. Meanwhile, enjoy this highly recommended collection!

Disney Masters Vol. 7: Paul Murry: Walt Disney's Mickey Mouse: The Pirates Of Tabasco Bay (Vol. 7) (The Disney Masters Collection) PDF
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Disney Masters Vol. 7: Paul Murry: Walt Disney's Mickey Mouse: The Pirates Of Tabasco Bay (Vol. 7) (The Disney Masters Collection) PDF

Disney Masters Vol. 7: Paul Murry: Walt Disney's Mickey Mouse: The Pirates Of Tabasco Bay (Vol. 7) (The Disney Masters Collection) PDF

Disney Masters Vol. 7: Paul Murry: Walt Disney's Mickey Mouse: The Pirates Of Tabasco Bay (Vol. 7) (The Disney Masters Collection) PDF
Disney Masters Vol. 7: Paul Murry: Walt Disney's Mickey Mouse: The Pirates Of Tabasco Bay (Vol. 7) (The Disney Masters Collection) PDF

Kamis, 07 November 2013

Free Download Fendi Baguette

Free Download Fendi Baguette

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Fendi Baguette

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Fendi Baguette


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Fendi Baguette

Review

"The bag known as the Baguette rises again." ~Town & Country"The 344-page book is chock full of vibrant images of some of the most memorable syles from rarely seen vintage pieces and limited editions to exotics and one-of-a-kind artist editions..." ~Lifestyle Mirror.com

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About the Author

Silvia Venturini Fendi is the creative director of Fendi’s accessories, menswear, and kidswear lines and represents the third generation of the founding family of the historical maison. Achille Bonito Oliva is an Italian art critic, professor, and curator. Paola Antonelli is a senior curator in the department of architecture and design at the Museum of Modern Art, New York. Quirino Conti is an Italian architect, costume and stage designer, and fashion writer. Sophie Fontanel is a journalist and writer. Pearl Lam is a curator, dealer, and private collector of contemporary Chinese art. Sarah Jessica Parker is an actress who famously collected Baguettes in her role as Carrie on Sex and the City. Dana Thomas is a fashion and culture journalist. Banana Yoshimoto is an award-winning Japanese writer whose works have been translated and published in more than twenty countries.

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Product details

Hardcover: 344 pages

Publisher: Rizzoli (July 10, 2012)

Language: English

ISBN-10: 0847836401

ISBN-13: 978-0847836406

Product Dimensions:

15.3 x 1.6 x 13.9 inches

Shipping Weight: 9.9 pounds (View shipping rates and policies)

Average Customer Review:

3.6 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#206,562 in Books (See Top 100 in Books)

As a Baguette (the bag) lover I had high hopes for this book. Unfortunately I'm quite disappointed. The essays are short & sweet, informative, and entertaining. The pictures are large and clear, and they did not skimp on the number of photographed bags. I did not care much about the section on artist's interpretations of the Fendi Baguette as this is not what the Baguettes are all about for me. What I was REALLY disappointed by was that there are no references as to what year/season the bags are from, its just page after page of bags. I want to know what year a specific bag is from so that I have some context as to what was going on in fashion or in the world for that matter. I bet there are some stories about whatever was going on inspired a particular design -- or vice versa -- and the fact that this information is lacking sadly takes the enjoyment factor of the book down a few notches.

Gorgeous book, bought as a present for the wife. Nice coffee table piece, and very well presented. Pricey, but what isn't with the Fendi name on it?

Excellent item, highly satisfied, prompt delivery

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Rabu, 06 November 2013

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Product details

File Size: 41486 KB

Print Length: 272 pages

Publisher: Three Rivers Press; Revised edition (April 19, 2010)

Publication Date: April 28, 2010

Sold by: Random House LLC

Language: English

ASIN: B000SEH6WS

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#341,892 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

One of the first books I ever bought to learn spanish. This book was originally written in 1955 but has been updated, revised and expanded. It really does make spanish easy to learn but you must take the time to study the book at least an hour per day. The author`s method for teaching you Spanish is very effective and impressive even by today`s standards even though it was written in the 50s. If something is good, it`s good no matter when it was made. I have read and studied many, many spanish books in my quest to become fluent and this book is the first book I would recommend to any beginner or intermediate learner and even advanced spanish students will learn plenty of spanish grammer and vocabulary here. In fact, I recently bought myself a new copy and started studying it again. I wanted to refresh myself on the lessons contained herein and I find that I am being reminded of many words and expressions that I forgot about and I am learning lots of new spanish. That`s what inspired me to write a review and tell people about this most excellent book for starting your spanish education and working your way up to fluency.

Text seems well planned (haven't gotten too far along yet!). I bought this for the kindle, so my review is on the electronic version of the book. The option to change font size does NOT work properly and if you make the font larger the display just runs out of sight. Changing the kindle to landscape helps a bit to get a larger view without each sentence running out of sight, but there are still limits to how big you can make the text. (Making the text larger is one of the best things about electronic formats - if your eyes are tired you can still read!) I was a bit disappointed in this, there does not seem to be any way to scroll over and see the rest of the text if you have enlarged the font (using kindle voyage). I have tried playing with options for margins and line spacing but nothing I have done allows the font to go beyond a certain size before it just cuts off the end of all the sentences of the page (instead of moving them down so you can continue reading).

I'm a casual user of Spanish. I've used, off and on, the original paperback version of this book for over 20 years. I vacation often in Mexico and have recently been to Spain. I'm comfortable with its "dialogue" format. I feel that I'm learning the language - not just picking up phrases to use in certain situations. I've tried Rosetta Stone and prefer this to merely parroting sounds. It's mix of dialogue, vocabulary, grammar and syntax has built, I feel, insight into the workings of the language which has generalized to a comprehension and familiarity beyond the book's lesson plans. I've received compliments from native Spanish speakers on my comprehension, pronunciation and skill regarding verb tenses.

This item was used - I knew that - but it was said to be "used-very good". I would disagree with the assessment because the spine is heavily worn, the cover is heavily worn and there are markings in red pencil and regular pencil throughout the book. In addition, there were quite a few scraps of paper in the book and an automobile decal as if the book had never even been looked at for evaluation. I had used the "Italian Made Simple" book years earlier, and this is why I wanted the "Spanish Made Simple" book of the series. It is a good language book, but it was more like "used-acceptable".

This is a good text for learning Spanish rapidly. The lessons are clear and well-organized. So far (I am on lesson 28 of 49), I find that each lesson takes from an hour and a half to two hours to go through, writing out all the exercises and practicing the dialogue out loud as directed. I am brushing up long-forgotten Spanish, and I also have a background in French, so it may take a brand new learner a bit longer to complete each lesson. I recommend spending a few days reviewing the material and practicing the vocabulary before proceeding to the next lesson.I have found, however, that there are several errors in the answer section...which is rather disconcerting when you are trying to learn something new. This text has been revised, and some of the answers may have been based on questions in an earlier edition, but they certainly should have been revised along with the text. Most of the errors are obvious and do not have to do with vocabulary or grammar...just with the content of the dialogue...a picture is now hanging over a bookcase, not the piano...that sort of thing. It's a bit annoying when your correct answer does not agree with the book. That's just sloppy on the editor's part.

I took Spanish lessons last year, and the instructor recommended this book. I thought it was a kind of workbook, with exercises I could do to help me remember.Turns out most of the lessons say memorize these words.That’s not what I need! I need more of a Duolingo kind of practice. Sitting around trying to memorize is not the best way to learn a new language.Waste f time and money.

I'm using this book in conjunction with the Pimslur Spanish 3 CDs, and am finally making progress in my quest to learn this beautiful language. This book presents interesting dialogues followed by progressive grammar lessons and exercises. I'm using this book in a class which provides the invaluable added experience of forcing you to use what you are learning thru speaking to others, so I highly recommend taking a class if at all possible. I would love to be able to just listen to tapes and absorb it all, but in my experience, you have to go thru the tedium of learning tenses and this book has helped make the process less tedious... Even enjoyable!

I purchased this book because it was recommended by my instructor. It is helpful and I like the exercises in it. I am not a beginner and have skipped over some parts, but, I have learned some from this book.

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