Free Ebook On Thomas Merton, by Mary Gordon

Free Ebook On Thomas Merton, by Mary Gordon

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On Thomas Merton, by Mary Gordon

Free Ebook On Thomas Merton, by Mary Gordon

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Review

“Ardent, heartfelt, headlong: with these words Mary Gordon lovingly penetrates to the core of Thomas Merton’s ongoing importance, but the same words apply to her achievement. Gordon is the ideal reader of Merton, matching his intelligence, irony, and authentic feel for the world beyond words. Her book brings his books back to life, and belongs with them from now on.”—James Carroll, author of Constantine’s Sword and The Cloister“Only a writer as talented as Mary Gordon could have written about a writer as talented as Thomas Merton. I've read dozens of books about my hero, the Trappist monk Thomas Merton, and suspected that I couldn't learn much that was new. Mary Gordon's fascinating new book proved me wrong.  She opens up an essential side of Merton's life--his life as a writer--in a way that helps me understand him an entirely new, and entirely surprising, light."—James Martin, SJ, author of Jesus: A Pilgrimage and Becoming Who You Are“Brilliant, incisive.... intelligent, moving.”—Publishers Weekly (starred review)“Merton devotees and those wishing to learn more about him will appreciate this detailed look at his accomplishments and struggles.”—Library Journal “.... An ideal introduction to Merton for literary readers.”—Booklist“[Mary Gordon] brings to this book on Merton what he himself often offered others: the frank convictions of a practiced teacher, the certainty of an established critic, and the sympathy of a successful writer who is equally aware of struggle.”—America “If Merton is to remain a living voice, it is from such honest and steadfast devotion as Mary Gordon’s On Thomas Merton.”—New York Journal of Books 

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About the Author

Mary Gordon is the author of eight novels, including There Your Heart Lies, The Company of Women, and The Love of My Youth; six works of nonfiction, including Joan of Arc: A Life and the memoirs The Shadow Man and Circling My Mother; and three collections of short fiction, including The Stories of Mary Gordon, which was awarded the Story Prize. She has received many other honors, including a Lila Wallace–Reader’s Digest Writers’ Award, a Guggenheim Fellowship, and an Academy Award for Literature from the American Academy of Arts and Letters. She teaches at Barnard College and lives in New York City.

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Product details

Hardcover: 160 pages

Publisher: Shambhala (January 15, 2019)

Language: English

ISBN-10: 1611803373

ISBN-13: 978-1611803372

Product Dimensions:

5.2 x 0.7 x 8 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

3.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#60,287 in Books (See Top 100 in Books)

A very personal look at Thomas Merton, as author Mary Gordon strives to discover the answer to the question, “What kind of writer was he?” Gordon examines Merton’s letters, autobiography, and journals, and his book My Argument with the Gestapo (the inclusion of this section was puzzling to me). There is no real narrative here: It is a series of somewhat choppy observations that seem to jump quickly from subject to subject. I see it as a bit startling for the casual reader to pick up, and it is definitely not for readers who are new to Merton. Some interesting observations, but a little too limited in scope for the reader seeking a wider view and more inspirational take on Merton. I received an advanced reader’s copy from NetGalley in exchange for a fair review of this title.

Mary Gordon paints Thomas Merton the monk-writer by opening to us his many journals and his correspondence. Here in September 1, 1949, we view Merton’s early declaration of his intention:“If I am to be a saint, I have not only to be a monk, which is what all monks must to do become saints, but I must also put down on paper what I have become. . . . It is not an easy vocation. To be as good a monk as I can, and to remain myself, and to write about it: to put myself down on paper . . . with the most complete simplicity and integrity, masking nothing . . . It is a kind of crucifixion.”We see Merton’s friendship with Czeslow Milosz develop later in the 1960s. Merton complains of his double censorship, first by the Catholic Church and then by the secular publishing world. It is a road he blazes nevertheless, while remaining loyal to both audiences as seen in his numerous books of poetry and creative prose (most published by New Directions Publishing) and in his religious examinations done through the Catholic publications.Mary Gordon culls from Merton’s seven volumes of journals his most penetrating self-insights. She advises us on his conflicted vision as writer, “…at the same time he is disgusted with himself and his writing, he feels a responsibility to continue”:“August 22, 1961I have a clear obligation to participate, as long as I can, and to extend my abilities, in every effort to help a spiritual and cultural renewal of our time. This is the task that has been given me, and hitherto I have not been clear about it:…by entering myself deeply into the disciplines and experience, not for myself only but for all my contemporaries who may be interested and inclined to listen. This for the restoration of man’s sanity and balance, that he may return to the ways of freedom and peace, if not in my time, at least some day soon.”Thomas Merton’s cultural and spiritual commitment is made clear here.Gordon offers this final praise, “The greatness of Thomas Merton: ardent, heartfelt, headlong. Life lived in all its imperfectability, reaching toward it in exaltation, pulling back in fear, in anguish, but insisting on the primacy of his praise as a man of God.”As fellow author James Carroll accurately points out, “Gordon is the ideal reader of Merton, matching his intelligence, irony, and authentic feel for the world beyond words. Her book brings his books back to life, and belongs with them from now on.” If Merton is to remain a living voice, it is from such honest and steadfast devotion as Mary Gordon’s On Thomas Merton.

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