PDF Ebook The Underground Is Massive: How Electronic Dance Music Conquered America

PDF Ebook The Underground Is Massive: How Electronic Dance Music Conquered America

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The Underground Is Massive: How Electronic Dance Music Conquered America

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From the Back Cover

What started as an underground party business—run and dominated by youths and hustlers—grew into the music business's greatest and biggest success. The Underground Is Massive is the first-ever big-picture history of the American electronic dance music underground, viewed through the lens of nineteen parties over thirty years—from the black, gay underground clubs of Chicago and Detroit's elite teen-party scene through nineties "electronica" to today's EDM-festival juggernaut, the book takes in the rise of the Internet and Burning Man, 9/11, and the collapse of the record business—and vividly charts why and how it took nearly three decades after electronic dance music became a global youth soundtrack for it to hit big in the land that birthed it.Through unparalleled insider access to anecdotes, interviews, and history, Michaelangelo Matos demystifies how what once belonged to a devoted audience of casual partiers and diehard dancers has become America's soundtrack of choice and changed the music industry completely. Matos expertly tackles the vast diversity of EDM's musical landscape, its technologically prophetic yet illicit origins, and the path by which underground raves grew into fiercely successful music festivals. Taking in legendary artists from Frankie Knuckles to Moby as well as the biggest names in EDM—Diplo, Skrillex, Deadmau5, David Guetta, Tiësto, and Daft Punk—Matos's deep mix of sources and wide-lens overview of the culture make every chapter a page-turning revelation.

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About the Author

Michaelangelo Matos writes regularly for Rolling Stone, Red Bull Music Academy Magazine, and NPR. The author of an acclaimed volume (about Prince’s Sign ‘O’ the Times) in Bloomsbury’s 33 1/3 series, he lives in Minneapolis, Minnesota.

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Product details

Hardcover: 448 pages

Publisher: Dey Street Books (April 28, 2015)

Language: English

ISBN-10: 9780062271785

ISBN-13: 978-0062271785

ASIN: 0062271784

Product Dimensions:

6 x 1.4 x 9 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

17 customer reviews

Amazon Best Sellers Rank:

#1,094,658 in Books (See Top 100 in Books)

I'd put off reading this book for a while because of the "EDM" subtitle, "How Electronic Dance Music Conquered America." Call me old fashioned (or simply old), but I don’t care for the Skrillex/Deadmau5 generation of music. I like my dance music spun on vinyl w/ two turntables and a mixer. I come from the Detroit/Berlin school of techno and the Chicago/New York school of house, where the DJ doesn’t jump around on stage and act like a rock star. Needless to say, the subtitle of the book alone made me tentative about reading it. I’d enjoyed one of Michaelangelo Matos’ books before, however, his 33 1/3 book about Prince’s Sign of the Times, so I thought I’d give this new book of his a chance. After all, it’s not often a book of this scope comes along. Dan Sicko’s Techno Rebels had been published back in 1999. While still required reading for Detroit techno heads, the stories in that book have since been told time and time again. Simon Reynolds’ Energy Flash (aka Generation Ecstasy) is another touchstone, but it too has gone out of date. I tried reading it again recently, and the glamorization of Ecstasy there is off-putting, not to mention the championing of sub-sub-niche genres specific to the U.K. that anyone under age 30 has probably never heard of and never will. The other touchstone book in the “techno” cannon is Last Night a DJ Saved My Life, a great book but, again, focused on the distant past and New York-centric.Now along comes The Underground Is Massive, which spans the early Chicago/Detroit scene of the 1980s to the EDM era, wrapping up w/ Daft Punk’s Grammy win in 2014. The chapters are centered on specific events in history, generally a club, rave, or festival that ushered in a new era. The three chapters centered on Detroit – the Music Institute, November 24, 1989; Richie Hawtin’s Spastik party, August 13, 1994; and Detroit Electronic Music Festival, May 26-29, 2000 – were of particular interest to me. I was thrilled to see all the interviews that Matos drew from, particularly Rob Theakston and Joshua Glazer, two of the most bleeding-heart techno guys out there. As someone who was there (for the mid- to late ‘90s, at least), I can tell you that this is very much the true story, the Detroit part at least. Matos spoke to the right people, researched the right archives (i.e., the Hyperreal.org mailing lists were vital back in the day), and focuses on the right events. Plus, he rattles off discograpical information left and right – probably too much so for casual fans who don’t know Carl Craig from Derrick May, or Richie Hawtin from Plastikman, but on the other hand, record collectors and DJs should take notes while reading, as there's wealth of information here. The appendix of DJ mixes itself is reason enough to keep this book on your shelf for reference. In the end, these three aforementioned chapters alone prove to be essential reading for Detroit techno historians.Of course, not everyone is into Detroit techno – precious few, in fact. As for those looking for the “EDM” angle as teased in the book’s subtitle, I suspect they may be disappointed to discover that the term doesn’t even come up until chapter 17 (page 340 of 382 in my Kindle edition), Electric Daisy Carnival, 2011. I must say, this pleased me (the glossing over of "trance" too). I’d read every page of the book to this point, and I wasn’t about to stop, so I pushed forward to the end. I’m glad I did because I understand the EDM phenomenon better now. Can’t say I’m itching to listen to Skrillex, but at least I have a better concept of why he’s as popular as he is. In any event, it was my sense that these last few chapters differ from the rest of the book. For one, the discographical minutia goes out the window. Matos breezes through post-2010 history (if it even counts as “history” yet) at a much faster clip than he does earlier in the book, and at times, there is a hint of dismissiveness. For instance, Daft Punk circa ’96 are framed as game-changing, whereas Daft Punk circa ’14 are framed with considerably less reverence. My sense was that this post-2010 part of the book wasn’t Matos’ favorite part either but rather the book publisher’s. In 2015, "EDM" is the new "electronica"; "techno" and "house" are passe, the province of old-school curmudgeons. In fairness to Matos, he uses the Introduction to pretty much say, this is my book (i.e., my subjective take on the subject matter), and if you don’t like it, write your own because I can only fit so much in this one. Hopefully others are motivated to take up the challenge because you can't please everyone w/ books like this -- too much music out there to cover in a 400-page book and tastes vary from region to region.I enthusiastically recommend The Underground Is Massive to anyone curious about the 1980s/1990s, especially anyone interested in the Chicago, Detroit, New York, and California scenes – or the Midwest raves scene, which gets far more attention here than I’ve ever seen elsewhere. The late-'90s "electronica" era also gets a fair examination, Moby in particular. Don’t let the EDM subtitle dissuade you; this is a history book for house/techno heads. Personally, I would have liked to see more discussion of the Detroit-Berlin connection. I suppose that’s another book, though (perhaps the recent Tresor oral history that to my knowledge hasn't been translated to English yet). Selfishly, I’d like to see even more exploration of the Detroit scene, more quotes from guys like Dean Major (i.e., Syst3m), dare I say “shady” guys who were major players but never really came out from the shadows, presumably because what they were doing wasn’t entirely legal (surprise, surprise). That’s another book I’d be keen to read some day, a behind-the-scenes oral history about the most legendary rave parties described in Matos' book, from the point of view of the promoters and DJs as well as the partiers and -- now this would be cool -- the police who had to go bust up those parties every weekend. Another angle might be the How Music Got Free approach, where the story is told from the perspective of a few choice insiders, some of whom were on the wrong side of the law. The chapter about Even Further '96 is kind of like that, and it's something of a horror show on several counts, a parent's worst nightmare. As we await further books like this, The Underground Is Massive is a valuable addition to the cannon, up there w/ Techno Rebels, Last Night a DJ Saved My Life, and antiquated or not, Energy Flash. I'm already looking forward to a revised, extended edition in a few years' time. This easily could have been double the length it is, probably triple if it were to drill down deeper into the post-2010 era.

United States pop culture has had a very different view of dance music than the rest of the world. Despite it's origins in this country and despite being about the same age as hip-hop, the many variants of electronic music have never really broken through to the mainstream, until recently. Now every major festival seems to have an EDM element to it even if it's not entirely dedicated to the sound. Matos takes us from the roots of the sound and the parties up to some of the most recent festivals, introducing us along the way to many of the movers, shakers and originators that got us to this point. Maybe you were at one of the parties documented, or one similar, you'll be transported back to the dancefloor. You'll hear the beat of the songs mentioned, and feel that familiar shiver up your spine remembering the first time a track really touched you. Maybe you've never been to a rave, festival or nightclub where this music lives, but heard about this counter culture, this will give a glimpse of what it was like.

This is a magnificent chronicle of music history that expounds upon the enigmatic world of underground music and its evolution in an interesting, respectful and thought-provoking manner. I am an old-head raver (and always one of the oldest in the crowd jumping up and down) who started as a house-music freak, and love, love, love all of the sub-genres. I am so appreciative to the pioneers and this book pays homage and give props. A must read for all EDM fans! If you don't know where it started, you'll fall for anything!

My book arrived perfect. Clean cover, no bends or frays. I was hooked upon reading the first few page excerpts.I loved the photos included and the in-depth history and knowledge by the author in regards to house music, EDM, techno, and legendary DJs and producers.I was honestly wishing the book would never end.

EDM still isn't, and probably never will be, a family of musics that sing to my soul, but this is a fantastically well-written account of its infancy and development.

Loved it, as an old school raver that went to my first party in 99 this brought back some great memories. Great story, writes very good, big up for writing the history of our scene.

As both fan of the scene since 1991 and editor for Massive Magazine (mentioned many times within the book) for several years, I have read many books that try to capture an always changing movement and The Underground is Massive is the best out there! A solid read that you can't put down.

Great

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Download Ebook Architecture under Construction, by Stanley Greenberg

Download Ebook Architecture under Construction, by Stanley Greenberg

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Architecture under Construction, by Stanley Greenberg

Download Ebook Architecture under Construction, by Stanley Greenberg

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Review

“These magnificent photographs capture the romance of construction sites with the precision and poetry and insistent probing curiosity we have come to expect from Stanley Greenberg. For lovers of photography, architecture, city life, or simply the physical world, this book is a must have.”—Phillip Lopate (Phillip Lopate)“Stanley Greenberg specializes in revealing those aspects of our man-made environment that would otherwise remain unseen—the hidden infrastructure of New York City, the water tunnels that form the city’s mysterious lifelines, and now, with Architecture under Construction, the brilliantly illuminated inner structures of important recent buildings. Greenberg’s photographs take the viewer beyond the ‘look’ of new edifices and directly to their essence—past the skins and into the bones—of contemporary architecture.” (Gail Buckland, The Cooper Union)“In these truly beautiful images, Stanley Greenberg deftly realizes one of Louis Kahn's most iconic insights: that a building is at its most sublime at two moments—when it is under construction, and when it is in ruin.” (Kenneth Frampton, Columbia University)

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About the Author

Stanley Greenberg is the author of Architecture under Construction,Invisible New York: The Hidden Infrastructure of the City and Waterworks: A Photographic Journey Through New York’s Hidden Water System, among other titles. He is a recipient of a Guggenheim Fellowship.

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Product details

Hardcover: 120 pages

Publisher: University of Chicago Press (April 30, 2010)

Language: English

ISBN-10: 0226306429

ISBN-13: 978-0226306421

Product Dimensions:

11 x 1.1 x 11 inches

Shipping Weight: 2.4 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#3,196,330 in Books (See Top 100 in Books)

This is essentially a photo album on metropolitan buildings during their construction period. It is a large format book which is beautifully printed on acid free paper and bound nicely. All the photos are in black and white. Each page holds a single photo (with perhaps a single exception at the beginning). A quite informative foreword (by Joseph Rosa) accompanies the photos. The compositions range from almost purely abstracts (p17) to essentially documentary ones (?p67) although I dare say most can be read as abstractions of a varying degree. The afterword by the author, describing the shooting conditions, is a pleasure to read!"Abstract monochromes of naked or partly covered constructions" may not sound particularly inviting for many potential readers, I guess. Still, I have found most of the images produced using a large format film camera to be really beautiful; in composition, framing and tonality. If you wonder how a study of verticals, horizontals and diagonals can be this satisfying and even intriguing, just turn a few pages.

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PDF Ebook Beyond Einstein: The Cosmic Quest for the Theory of the Universe

PDF Ebook Beyond Einstein: The Cosmic Quest for the Theory of the Universe

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Beyond Einstein: The Cosmic Quest for the Theory of the Universe

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From the Publisher

"The man knows how to make science interesting." -- Philadelphia Inquirer"Kaku's exploration of the principles of superstring theory are lucid, lively and fullÖas thought-provoking as Stephen Hawking." -- Kirkus Reviews"With his lucid and wry style [he has a] knack for bringing the most ethereal ideas down to earth." -- The Wall Street Journal"His scientific view is out of this world." -- Los Angeles Times

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From the Inside Flap

Einstein takes readers on an exciting excursion into the discoveries that have led scientists to the brightest new prospect in theoretical physics today -- superstring theory. What is superstring theory and why is it important? This revolutionary breakthrough may well be thefulfillment of  Albert Einstein's lifelong dream of a Theory of Everything, uniting the laws of physics into a single description explaining all the known forces in the universe. Co-authored by one of the leading pioneers in superstrings, Michio Kaku, and completely revised and updated with the newest groundbreaking research, the book approaches scientific questions with the excitement of a detective story, offering a fascinating look at the new science that may make the impossible possible.

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Product details

Paperback: 240 pages

Publisher: Anchor; Revised, Updated, Subsequent edition (September 1, 1995)

Language: English

ISBN-10: 0385477813

ISBN-13: 978-0385477819

Product Dimensions:

5.2 x 0.5 x 8 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

57 customer reviews

Amazon Best Sellers Rank:

#122,200 in Books (See Top 100 in Books)

A great book on the evolution to today's modern physics starting from the laws of Newton to Maxwell's unification of electricity and magnetism to quantum physics to today's unified theory of string theory. This book has basically the same material and themes as Michio's other book Hyperspace. So if you have already read that book, I wouldn't suggest buying and reading this book as it only has a little more detail than Hyperspace. I would have to say both books are pretty much the same in scope and material so you wouldn't learn anything new. Also, because both books were published around the mid nineties there wouldn't be any new updated information on the material. I like reading Michio's books as I am a lover of physics and science in general so I wasn't peeved that this book was pretty much the same as Hyperspace. It had been a while since I read Hyperspace, so I liked refreshing my mind on these theoretical physics concepts.

I bought M. Kaku's more recent book, "Parallel Worlds", but at the last minute decided to first read this book that was already on my bookshelf (alog with "Hyperspace", another one by Kaku). I'm about halfway through and glad that I switched since this one starts from scratch (e.g. Newton) and ramps up over the first couple of chapters to the more current work being done. It's a nice way to put the newer work in context, as well as helping to provide a basis for the later reading. Not saying it's required -- my guess is that any book by M. Kaku would be an interesting "stand alone" read -- but I can say that this book is really enjoyable.

Popularizer of science Michio Kaku has made an attempt to explain the current view of sub-atomic particle physics to the science-interested layman in the book "Beyond Einstein," and I think he succeeds for the most part. There are a few failed attempts at explaining crucial concepts, but overall the book is lucid and logically structured. Theoretical physicists have been chasing down the "theory of everything" - one equation from which all other laws and principles of physics can be derived - since Einstein first tried to unite gravity and electromagnetism. Kaku presents the history of this field, beginning with Newton and hitting the high points along to way- Maxwell, Einstein, Kaluza, Feynman, Gell-Mann, Schwarz, Glashow, Nambu, etc. The emphasis is on the physicists and their contributions to the field, as opposed to Euclid's Window, which traces the mathematicians behind the tools used in the theory of everything. I haven't yet read too many other books on the theory of everything, but Kaku's volume strikes me as impressive nonetheless. I think some pictures of the Lie groups would have helped the discussion of supersymmetry (and provide some gee-whiz effect as well, since they are indeed very beautiful). The authors' excitement and hope for the future of science literally jumps out of every page, which makes for an engaging read. This book is definitely worth your time. As a side note, I imagine this might make a great gift for someone taking physics in high school.

While I take a profound, almost religious, satisfaction in physics, especially the more exotic concepts of relativity and quantum theory, I have not the math-physics type of mind that my friend Steve Smith has--lucky fellow. I found this book readable enough, though, because it doesn't belabor the math side of physics, nor is it one long list of arcane physics formulae. It is still a little more advanced in places than I was fully able to appreciate, but I do enjoy the mental exercise that this kind of a challenge provides. I had heard of the Superstring theory when it first arose, but I did not take the time then to find out much about it. It took Steve's intervention to bring it again to my attention, and this book seemed a good place to start. As a person with an interest in history, especially the history of science, I found the background data on the individual physicists responsible for the various components of the Big Bang Theory and of the Superstring theory of especial interest. It certainly made the acheivements of these people more human to me and therefore more wonderful. It also helped me put together, at least at my rudimentary level of understanding, the thought processes that went into making each advance, much as the works of Australian physicist Paul Davis' books do. Both have a facility for taking the average person through the processes in constructing and testing a theory of the universe. With each step forward presented by the author, the theory made a little more sense. I thoroughly enjoyed the learning expereince and plan on reading some of the other books by the same author.

This volume takes you through Kaluza-Klein formalism and there is some math that must be understood for an insightful experience. Some of the material is dated, and Dr. Kaku's string theory has taken a beating in the scientific community of late.However, this book is still one of the best introductions to the fifth dimension and the integration of time, electromagnetism, and gravitation.There are books that are best described as mind candy; Dr. Kaku's works are a brain feast that will nourish your intellect and imagination for as long as your remain lucid.

Can't go wrong, good quality and it's a good read.

As usual, Mr. Kaku's writing is able to condense phenomenally interesting, and complicated, concepts into very readable material. The book also does not assume that the reader possesses any high level mathematical skill/knowledge. Excellent read.

Machio Kaku's shows on the science channel are must see for anyone interested in our universe. 'Beyond Einstein' continues his (pretty) easy to understand presentation of superstring theory, and related topics. It takes a while to read the couple hundred pages, but the book is one you read two or three times to get the most out of it. Some simple explanations, such as why nights are dark, add to the layman's knowledge of 'ordinary' events. A great book.

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Download PDF 500 Pizzas & Flatbreads: The Only Pizza & Flatbread Compendium You'll Ever Need (500 Cooking (Sellers)), by Rebecca Baugniet

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About the Author

Rebecca Baugniet is a food writer and recipe developer and the author of 500 Pies & Tarts. She has worked as food consultant for 500 Appetizers and 500 Soups. An avid baker and enthusiastic home cook, Baugniet began hosting monthly homemade-pizza nights at her home five years ago to develop and test her own recipes from the classic pizzas to flatbreads from all corners of the globe.

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Product details

Series: 500 Cooking (Sellers)

Hardcover: 288 pages

Publisher: Sellers Publishing; 500 Cooking edition (October 6, 2008)

Language: English

ISBN-10: 9781416205227

ISBN-13: 978-1416205227

ASIN: 1416205225

Product Dimensions:

6.4 x 1 x 7.4 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

61 customer reviews

Amazon Best Sellers Rank:

#309,791 in Books (See Top 100 in Books)

I ordered this Compendium at the request of my husband, who is always searching for the perfect pizza crust. He's on the verge of buying a new smoker/grill and is researching new pizza crusts that can go on the grill. While I leave the pizza-making expertise to him, I did scan through the pages and found that quite a few of the flatbread recipes sound absolutely delicious. The instructions are very thorough and easy to understand, and I especially liked that variations to the traditional recipes were also offered if you want to "change things up." While not a standard book size, I don't anticipate that will be a problem for me, since the pages do open up fully and will stay on the right page for easy review while preparing the recipe.

Awesome, well written, extremely educational book. Beautiful photos. Great, countless recipes. Beat my expectations.Canola Oil or Grape Seed Oil have much higher smoke points than olive oil, which burns quickly at high heat and has a very strong, overpowering flavor. Don't be stingy on the neutral flavored oil you put into pizza. Fat is flavor. Pizzas and breads are tasteless without oil, salt, and sugar. Honey can also be awesome, depending on the situation.

I loved this book when I first perused it at my friend's house and so I bought one for myself. For Christmas I gave my 3 20's sons the books along with a pizza peels and baking stones. By mistake I didn’t order enough to go around and so I gave mine to one son and I am going to reorder for myself.What I really like about 500 Pizzas is that a beginner can pick up the book and have success baking a really good pizza right off the bat and then grow skills with other recipes in the book.

While I believe the number of "raw" recipes is far less than 500 (maybe I'm wrong), after each section they offer 4-6 "variations" on each of the recipes previously given. Between all the variations on the primary recipes, there's probably about the 500 number.For anyone expecting a large book, well, large it's not. It's probably about 6" square but a tiny bit over an inch thick. For being so small, it packs a lot of recipes and a fair amount of other info into its tiny shelf footprint.I think it's a very worthy supplement to Flatbreads & Flavors (a good survey of flatbread culture the world over) and Vegetarian Pizza Cookbook (I mention it mainly for its good variety of crusts and a few nifty dessert pizza recipes).This seems like a pretty decent little compendium and certainly could be used to spur some creative pizza & flatbread dishes... Though, I might have liked to see a wider variety of crusts & sauces introduced. Or, as with Flatbreads & Flavors, some other recipes thaVegetarian Pizzat would act as accompaniments to the pizzas & flatbreads listed. Such as some curries or other things that typically go with the mentioned breads. But, I guess that's why I think this book and Flatbreads and Flavors complement one another relatively well.

Great for stocking stuffer. Cool ideas in just a little package.

Nice little book, would be a good stocking stuffer for newbies. I will use for some of the flatbreads, they seam very simple.

The book is so helpful. I the pizza dough from the book and it was so easy to make and to form thr pizza. I tried a few of the pizza recipes and they were delicious and well received my company.

One of the best pizza books I have bought. Lots of useful recipes for families with kids who like "regular" stuff on their pizzas! I have a number of more "trendy" pizza cookbooks, but though they're nice to look through, I wouldn't make most of the suggested pizzas and if I did, my husband and children probably wouldn't eat them :)Follow up: I wanted to comment on the fact that some other reviewers experienced trouble with some of the doughs in the book. I wanted to say that I have only used the pizza recipes in the book and the dough is fine for all of the pizzas. I can't speak to the success anyone might have with the naan and similar, but the pizza doughs are pretty standard and work fine. :)

500 Pizzas & Flatbreads: The Only Pizza & Flatbread Compendium You'll Ever Need (500 Cooking (Sellers)), by Rebecca Baugniet PDF
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500 Pizzas & Flatbreads: The Only Pizza & Flatbread Compendium You'll Ever Need (500 Cooking (Sellers)), by Rebecca Baugniet PDF

500 Pizzas & Flatbreads: The Only Pizza & Flatbread Compendium You'll Ever Need (500 Cooking (Sellers)), by Rebecca Baugniet PDF

500 Pizzas & Flatbreads: The Only Pizza & Flatbread Compendium You'll Ever Need (500 Cooking (Sellers)), by Rebecca Baugniet PDF

500 Pizzas & Flatbreads: The Only Pizza & Flatbread Compendium You'll Ever Need (500 Cooking (Sellers)), by Rebecca Baugniet PDF

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Ebook Cinema 4D Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist (Apprentice Series)

Ebook Cinema 4D Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist (Apprentice Series)

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Cinema 4D Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist (Apprentice Series)

Ebook Cinema 4D Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist (Apprentice Series)

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Review

“If you’re an aspiring 3D motion graphics artist, Cinema 4D Apprentice should be your first resource to get started. Kent does an incredibly thorough job of covering the essentials in a clear and concise manner. Inside this book is the knowledge motion designers need to succeed in a production environment.”-Paul Babb, President/CEO at MAXON Computer, Inc. “CINEMA 4D Apprentice gets you up and running quickly. Having a resource that is easy to reference is important when tackling a program that has the breadth and scope of MAXON CINEMA 4D’s R16. Kent McQuilkin does an excellent job of keeping you on track with enough to help you find your footing as you begin to design and animate in 3D.” -Ko Maruyama, CreativeMac "This book is a very comprehensive teaching aid for any 3D Motion Graphics Artist about to use, or is struggling with, the Maxon Cinema 4D combined with Adobe After Effects software packages... I don't earn my living as a Graphics Artist - but the book explains each step so clearly and I was so thoroughly intrigued that I couldn't put it down, flicking back and forth to check explanations in previous lessons which I'd skipped over but really needed to understand - I was thoroughly hooked! Definitely a 'must-have' for everyone who works in this area of production." - Wendy Laybourn FBKS - Network Nine

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About the Author

Kent McQuilkin is an award-winning animation producer, college instructor, 3D designer and consultant for broadcast studios. Kent has been a user of CINEMA 4D for over a decade and has used it to produce films, television spots, product labels, product previsualizations as well as theme park and holographic theatrical productions. Much of his work and information can be found at www.mcq3d.com.

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Product details

Series: Apprentice Series

Paperback: 422 pages

Publisher: Routledge; 1 edition (May 9, 2015)

Language: English

ISBN-10: 9781138018624

ISBN-13: 978-1138018624

ASIN: 1138018627

Product Dimensions:

8.5 x 1 x 9 inches

Shipping Weight: 2.6 pounds (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#199,227 in Books (See Top 100 in Books)

Alas, this book was shipped before the editor finished their job. There are some good points as the author covers some important features of Cinema 4D, but the editing is sloppy, the screen shots too small to read and the examples very often are missing a critical step or two.There is a crying need for good Cinema 4D training materials but sadly this one doesn't step up to the plate.Solution?1. Proof read the material before printing2. User testing to make sure the examples work3. Bigger screen shots that are readable4. Don't assume that the reader knows where to find things5. Don't be in a hurry

This is probably the harshest review I've ever left, which is a shame. I've just bumped into the world of C4d, and for me these traditional print books that start you at square one and work you through the basic tools and exercises to get familiar with the interface and workflow have always been great. I of course hop around on tutorials online for various things, but the hard reality for me and probably many others is that a program this complex really takes walking through the basic building blocks of the software. I've had great success using this type of literature for most adobe software. This is my first foray into a 3d program, so this seemed like a logical first step.Now, I'm a graphic designer, so some of the comments here might seem extreme to you but I can assure you they aren't. The number one reason a book like this exists is to provide us with clear, concise, well documented and clearly presented information that lets us comfortably follow through tutorials that while difficult have been expertly prepared for us. That is why I paid over $50 for this book.First impression, the book is larger than most I've seen of this type and the pages are filled with dense text as opposed to visual examples. Bottom line, the author's writing style is verbose and sort of like telling you a story. While this could be nice in some settings, it's terrible here. The pre-roll section of the book is rushed in terms of helpful explanation, and could have spared us pages of content through intelligent layout choices. Rather than giving us a story like explanation of tools, bouncing from one tool to the next within the same paragraph, bullet points with image illustrations in a strictly followed regiment of tool-by-tool information would be greatly beneficial and preferable. This kind of book doesn't need to read like a technical manual dry from top to bottom, I like a nice instructor voicing, but we lost our way on this one.Also, one the online companion site, the entire preroll section is missing as a folder. Basically, if you were interested in following the example as stated on the last line of page 21, "Check out this sign in the Pre-Roll assets folder. It is named align_to_spline.c4d" you're out of luck, because they don't seem to exist. Also, generally speaking, video companions to books would be much more accurate and useful if they presented you with either the same materials you are working on at that time in the book, or something very similar requiring a subtle but user-initiated leap towards applying the learned principles in a slightly new fashion from what they are learning in the book. Still, we really just want to follow the example we are reading to get a better grasp for how these things should be looking, working, etc.The images are atrociously small. Whoever laid out this book is a maniac. I'm not pushing 90 with bifocals here, either. This type of resource needs large images with intelligent use of focus to let users known exactly where we should be looking on the interface you have screenshot for us. Rather than hoping we will find the right place in your tiny, 2 inch image covered in cm sized selection boxes, perhaps give us a hint? Use shadowing, or colored selections. Really just terrible here.The first project chapter starts to at least warm us with better guidance, but I ran into the same sloppy writing and poor direction (the sole reason for this book to exist is for exceptional direction.) in the first examples. The author expects us to be able to follow along with him as if we were watching his overhead projector move the mouse for us, and we would do the same alongside him. This is simply not the case, and there needs to really be an exacting didactic accounting of where we are going, what clicks it takes to get there, all the basics of a good written/visual instructional dialog. For instance, the first assignment is a teacup project. Early on, I ran across this gem."to see how this shape is going to progress, switch to Model mode and with the cube selected (wait... what is Model mode with a capital M again? where should I be clicking? We are novices.) add a subdivision surface to the scene."No example of where these tools are, just the expectation that the user now intimately knows the interface and recalls where a subdivision surface lives in the UI. Now, I like having to learn it a bit and thus know it better by having found it myself, but this is a pretty poor approach to writing a tutorial. The next stage of this tutorial has use scaling down a piece of a shape that has been inner-extruded to change the shape of a cube into a tapered cup shape, big at the top, small at the bottom. In the images accompanying the book, the rounded cup shape magically becomes a beautiful taper at the bottom. However, it was only by inspecting his images closely and googling did I realize that he had in fact switched tools to select only the points, not the planes of the shape. Also, he had used what appears to be another tool entirely ,and never before mentioned, the lathe tool, to add a cut shearing clear through the bottom of the cup in order to accomplish a squared bottom as opposed to a rounded one similar to a hanging water balloon. How on earth could this kind of thing be acceptable in a tutorial book?Does anyone even really care if we are learning the basics or did the publishers and author pretty much throw up their hands and say "ah, well there's not much money left in these these days anyway, everybody just uses free online tutorials."Yeah, no kidding! At least we can follow along!Before we really have any idea what we are doing or what this means, he throws in, "In our case, we want a cup that is more squared or we would just build this using a spline and lathe NURBS combination." Wait... so there was a lathe in here? Is that what you screenshot for us on this tea cup taper? Where am I? Where's the light switch? I don't know my name.It's great to throw in that comment so people who know what they are doing can nod and go, "Oh yeah of course we would do that and use the spline and lathe NURBS, but this is for a tutorial for people who don't know anything." But THOSE PEOPLE DON'T NEED YOUR BOOK so why am I reading it on the 4th page of the first tutorial I've ever seen from you?All in all, just really poorly planned and poorly executed. Seems as though it was culled from class notes and presentations and while it's nice to have a book like this for this software, frankly paying somewhere else to learn this stuff, maybe GreyScaleGorilla or something, would probably be much more efficient.I may update this review once I get through the entire book. I'm sure that comment could cause so tsk tsk, but I've done plenty of these types of books and ouch... this one is a doozy. I can get through it, but it could do with some intelligent design, editing, and layout choices. Also, the entire ethos behind putting a book like this out could use some polish. If you're going to put it out, put it out right.

Great book which can always be used for reference. This Is an informative as well as practical skill building data base. You will definitely use it constantly.

very informative and well written. the graphics are good too. free link given for downloadable files. great find.

Required textbook, I think its been an excellent aid

I was sorely disappointed by this Focal book. The index was anemic, there were grammatical and typographical errors. The parts of the book I read were helpful.

Really helpful for begginers. The book includes all you need to know to get started with CG and C4D and gives clear examples and guidelines to make it easier to understand. It has well-written instructions that are clear and that teach you the theory and technique instead of teaching just how to do some specific things.It is a great resource for begginers like me. I trully recommend it.

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Free PDF Disney Masters Vol. 7: Paul Murry: Walt Disney's Mickey Mouse: The Pirates Of Tabasco Bay (Vol. 7) (The Disney Masters Collection)

Free PDF Disney Masters Vol. 7: Paul Murry: Walt Disney's Mickey Mouse: The Pirates Of Tabasco Bay (Vol. 7) (The Disney Masters Collection)

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Disney Masters Vol. 7: Paul Murry: Walt Disney's Mickey Mouse: The Pirates Of Tabasco Bay (Vol. 7) (The Disney Masters Collection)

Free PDF Disney Masters Vol. 7: Paul Murry: Walt Disney's Mickey Mouse: The Pirates Of Tabasco Bay (Vol. 7) (The Disney Masters Collection)

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About the Author

Paul Murry (1911–1989) was a Disney comic book artist who most notably worked on the Mickey Mouse serials of the 1950s, '60s, and '70s for Dell Publishing and Gold Key Comics. Previously, he worked as an assistant at Walt Disney Animation Studios, where he contributed to projects such as Pinocchio and Dumbo, among others. He also made a name for himself as a gag cartoonist and illustrated a number of Woody Woodpecker comic books.Carl Fallberg wrote and drew for Disney (Snow White, Fantasia), Hanna-Barbera (Scooby Doo), and Warner Brothers (Yosemite Sam) animation studios, and on many comic book adaptation of animated shows, for more than forty years.

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Product details

Series: The Disney Masters Collection (Book 7)

Hardcover: 184 pages

Publisher: Fantagraphics; 1 edition (March 12, 2019)

Language: English

ISBN-10: 1683961811

ISBN-13: 978-1683961819

Product Dimensions:

7.9 x 0.8 x 10.6 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#162,985 in Books (See Top 100 in Books)

If you purchased volume one of these Murry/Fallberg tales and plan on buying volume two I've got great news for you: the stories here are even more exciting than those in volume one (#3 in the Disney Masters series)! The quality of the reproductions is just as perfect but Fallberg greatly improved the quality of his writing (Murry's artwork remains top-notch but I feel that he too was beginning to enjoy the stories more and was devoting more time and effort to creating background detail and atmosphere). “The Lost City”, “The Marvelous Magnet”, “The Vanishing Railroad” and “Yesterday Ranch” are fun, exciting stories. Some may not know that while these serials were appearing in WDC&S Fallberg and Murry would occasionally create new, long stories to be featured in Mickey Mouse magazine. These stories are every bit as exciting as the serials that are being printed here. Will Fantagraphics ever get around to printing them? I don't know, but I certainly hope so. Meanwhile, enjoy this highly recommended collection!

Disney Masters Vol. 7: Paul Murry: Walt Disney's Mickey Mouse: The Pirates Of Tabasco Bay (Vol. 7) (The Disney Masters Collection) PDF
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Disney Masters Vol. 7: Paul Murry: Walt Disney's Mickey Mouse: The Pirates Of Tabasco Bay (Vol. 7) (The Disney Masters Collection) PDF

Disney Masters Vol. 7: Paul Murry: Walt Disney's Mickey Mouse: The Pirates Of Tabasco Bay (Vol. 7) (The Disney Masters Collection) PDF

Disney Masters Vol. 7: Paul Murry: Walt Disney's Mickey Mouse: The Pirates Of Tabasco Bay (Vol. 7) (The Disney Masters Collection) PDF

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Free Download Fendi Baguette

Free Download Fendi Baguette

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Review

"The bag known as the Baguette rises again." ~Town & Country"The 344-page book is chock full of vibrant images of some of the most memorable syles from rarely seen vintage pieces and limited editions to exotics and one-of-a-kind artist editions..." ~Lifestyle Mirror.com

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About the Author

Silvia Venturini Fendi is the creative director of Fendi’s accessories, menswear, and kidswear lines and represents the third generation of the founding family of the historical maison. Achille Bonito Oliva is an Italian art critic, professor, and curator. Paola Antonelli is a senior curator in the department of architecture and design at the Museum of Modern Art, New York. Quirino Conti is an Italian architect, costume and stage designer, and fashion writer. Sophie Fontanel is a journalist and writer. Pearl Lam is a curator, dealer, and private collector of contemporary Chinese art. Sarah Jessica Parker is an actress who famously collected Baguettes in her role as Carrie on Sex and the City. Dana Thomas is a fashion and culture journalist. Banana Yoshimoto is an award-winning Japanese writer whose works have been translated and published in more than twenty countries.

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Product details

Hardcover: 344 pages

Publisher: Rizzoli (July 10, 2012)

Language: English

ISBN-10: 0847836401

ISBN-13: 978-0847836406

Product Dimensions:

15.3 x 1.6 x 13.9 inches

Shipping Weight: 9.9 pounds (View shipping rates and policies)

Average Customer Review:

3.6 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#206,562 in Books (See Top 100 in Books)

As a Baguette (the bag) lover I had high hopes for this book. Unfortunately I'm quite disappointed. The essays are short & sweet, informative, and entertaining. The pictures are large and clear, and they did not skimp on the number of photographed bags. I did not care much about the section on artist's interpretations of the Fendi Baguette as this is not what the Baguettes are all about for me. What I was REALLY disappointed by was that there are no references as to what year/season the bags are from, its just page after page of bags. I want to know what year a specific bag is from so that I have some context as to what was going on in fashion or in the world for that matter. I bet there are some stories about whatever was going on inspired a particular design -- or vice versa -- and the fact that this information is lacking sadly takes the enjoyment factor of the book down a few notches.

Gorgeous book, bought as a present for the wife. Nice coffee table piece, and very well presented. Pricey, but what isn't with the Fendi name on it?

Excellent item, highly satisfied, prompt delivery

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